Italy: Surprising Arezzo

ARREZO’S PLACE

We arrived in Arezzo yesterday for three nights.  Arezzo is not as much on the tourist circuit as Siena, Cortona, and other Tuscan towns.  In fact, Debora, our lively guide today, described Arezzo as “the ugly duckling.”  It’s a real city and much bigger than Siena or Cortona, but it has not had the same influx of tourists until recently; consequently, it isn’t as prepared to receive them well.  Hotels in the central district, not far from the magnificent duomo and other ancient buildings, are scarce and even a bit tired.

 Our hotel is in a great location opposite Guido Monaco’s statue with a view up Via del Corso toward the cathedral. Its rooftop terrace provided the wonderful panoramic view above.

Music theorist and monk, Monaco, who lived in the 10th century, was responsible for inventing the names for the notes on the scale: do, re, mi, fa, sol, la, ti, do.  Arezzo today celebrates music with festivals and the like. 

After many predictions of severe weather and rain, we had some spritzing followed by a steady real rain.  But we were able to enjoy a couple hours with Debora walking up the hill by the town hall to the impressive duomo. Later, we skirted a large park on our way to Piazza Grande with its mix of architecture from the medieval era to the Medicis to the Renaissance.  Arezzo was an Etruscan town, then Roman, then Medici and so on like others in Tuscany. 

DUOMO

The Duomo was started in the 1300’s, but has had additions and renovations dating through the centuries up to the early 1900’s. It sits so high above the rest of the city that its sheer size as well as its position mean that it dominates the piazza.  It is dedicated to St. Donatus and in the interior is a 14^th century arch named for him.  

There are also some lovely early 16^th century stained glass windows whose intense reds and purples are still radiant today.

Pope Gregory X died in Arezzo in 1276 and there is a funerary monument to him from the 14th century.  The Chapel of the Madonna del Confort, about the size of a small church within the cathedral, offers a more intimate place for meditation. It was built beginning in 1796.  When we went in, the cathedral organ was playing, and it was peaceful and restful.  

Also of note here is a work by Pietro della Francesca, Mary Magdalene, from the 15^th century. In bright colors and small details, she is portrayed with loose hair suggesting a prostitute, but also with a container of oil to wash the feet of Jesus.

ROMAN ROOTS

Debora described the architecture of several buildings as being like lasagna, many layers of different styles.  It seemed an apt description, especially when later we popped into the Sugar Gallery through a 16^th century archway and then walked on glass floors where only a foot below us were some beautiful stone mosaics. They belong to the Roman period. 

 Lovely and preserved, over 2,000 years old, these mosaics looked fresh and contemporary. 

PIAZZA GRANDE

Piazza Grande is a true mix of styles with a row of flat medieval facades, the rounded apse of a church, a and a three level building with a clock tower whose layers span from medieval times to the Renaissance period. It’s a great slanted space with, of course, a café or two on the side.  

Twice a year, a jousting festival takes place in this piazza with participants on horseback from the four neighborhoods of Arezzo, competing against one another to hit a target. The piazza is called grand, and it is a grand and appealing space.

Tomorrow we will go into the Church of San Francesco to see the frescoes by Piero della Francesca.

Note:  All photos ©JWFarrington (some rights reserved.)