Manhattan: Tulips & Art

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TULIP TIME

With the cold, somewhat snowy March followed by cool April weather, the trees here are just leafing out. But, there are tulips galore!  I love the little fenced square and rectangle gardens along the streets with their big bold tulips. Jefferson Market Garden was also a riot of tulip beds. Makes for a lovely spring!  Usually we come in May and any remaining tulips are bedraggled and beaten down.

AT THE WHITNEY

American painter Grant Wood is arguably best known for his portrait of a farm couple called “American Gothic.”  Actually it’s meant to be a father and daughter and if you look closely, you can see the difference in their ages.  Most people just assumed it was a husband and wife.  

Wood painted farm scenes and the rural folks of his native Iowa, but he did it from an idealized perspective based on memories of his childhood and his view of a simpler time.  Lots of rounded shapes and flat surfaces.  

Early in his career, he made the requisite European tour and this exhibit includes several impressionistic works from that time.  

But I was also taken with his “Women of Revolution,” a less than admiring portrait of three women of the DAR.

What comes across here and what I enjoyed most was getting an enlarged sense of the variety in Wood’s oeuvre. The exhibit at the Whitney Museum of American Art runs into early June and is well worth a visit!

 

GRANDPARENTS’ DAY

The Chief Penguin and I had the pleasure of experiencing Grandparent and Special Persons’ Day at Brearley, our granddaughter’s school.  Fortunately, all four of her grandparents were able to attend.  It’s an impressive place and it was great to hear and see how these kindergarten girls are being empowered to be creative, bold, and caring individuals.  

RETURN VISITS

We will eat a lot of meals out while we are in the city.  Here are several places we’ve re-visited.

Lenox Hill Grill.  The all-American comfort food you would expect from any respectable diner. Grilled ham and cheese with fries and a tuna salad sandwich with cole slaw on the side made for a quick tasty lunch.

Amali. Now billing itself as “sustainable Mediterranean” with a new menu with more veggies and small plates, it’s easy to avoid ordering an entrée.  We had prosciutto, chorizo, and buffalo blue cheese, followed by chickpea and cauliflower croquettes with a spicy salsa, grilled asparagus and green onions, and fluke crudo.  All delicious, with Greek and Italian overtones, and mostly healthy!

Gradisca.  This Italian restaurant on W. 13th Street was jumping on a Thursday night and service was slower than we’ve experienced in the past.  But, the pasta was as wonderful as always!  One of the specials was farfalle with little chunks of zucchini and shrimp in a light lemon cream sauce; another was Mama’s homemade beef tortellini that we watched her make at a side table in the dining room.  And our friends B. and A. were pleased with the cavatelli with eggplant.

Note: All photos by JWFarrington.

Tidy Tidbits: Flowers, Books, etc.

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WARHOL IN THE GARDEN  

Continuing their annual tradition of presenting several of an artist’s works and interpreting them in the garden, Selby Gardens this year is focusing on Andy Warhol.  Throughout the garden there are large white square planters filled with magenta and pink impatiens as well as a divided window display of plants against a multi-colored screen and some oversize acrylic red and yellow blooms.  In the conservatory there are other treatments of Warhol’s love of repeating shapes or patterns, and in the house museum, four of Warhol’s flower paintings.  It’s always fun to go to Selby Gardens, always something new to see, and I never tire of visiting.  This time we took our Philadelphia friends Ellen and Bob.

  

READING

Tomorrow, April 23, is World Book Day.  Established in 1995 by UNESCO, it aims to promote reading, copyright, and publishing.  April 23 is the day Shakespeare died, but in the U.K, World Book Day is celebrated the first Thursday in March.

TIMELY NOVEL

An American Marriage by Tayari Jones

What happens to the relationship between an educated middle class black couple when he is found guilty and sentenced to twelve years in prison for a rape he didn’t commit?  Roy is an up and coming 30’s executive living in Atlanta and his wife, Celestial, is a talented artist whose business making dolls (poupees) is getting attention and making money.  Their mutual friend Andre, a computer programmer who introduced the couple to each other, also harbors fond feelings for Celestial.  The novel alternates chapters between the three of them, Roy, Celestial, and Andre, initially with the letters Roy and Celeste write to each other as time unfolds and as Roy’s sentence is served.  In prison, he meets his biological father, his mother gets cancer, and Celestial finds it harder and harder to maintain their brief marriage.

Andre’s uncle Banks works the justice system on Roy’s behalf and when Roy is cleared and released early, the situation becomes a crisis as all parties grapple with what comes next.  With empathy and clear-sightedness, Jones creates the world as it exists for a black man in Atlanta from small town Louisiana.  To her credit, you, the reader, feel something for each one of them, Celestial, Roy, and Andre.  They are not bad people, just humans with good intentions, aspirations, and shortcomings.

Our island book group enjoyed the novel and had a thoughtful discussion about what it must mean to be a black man in today’s society.  We also thought that Roy’s meeting his father in prison was unconvincing and too pat.   This is Oprah’s Book Club pick for 2018 and it’s a worthwhile investment of your reading time.  (~JWFarrington)

HISTORICAL MYSTERY

No Comfort for the Lost by Nancy Herriman

In her debut mystery, Herriman takes on old San Francisco in a manner reminiscent of Victoria Thompson’s Gaslight Mysteries set in old New York City.  The year is 1867, anti-Chinese sentiment is on the rise, and nurse Celia Davies runs a medical clinic for women.  One of her Chinese patients dies in suspicious circumstances.  Celia is a transplant from Britain who initially came to the U.S. with her Irish husband.  He has since left, and she lives with her housekeeper and her half-Chinese cousin Barbara.  Detective Nick Greaves is assigned to the case, but keeps encountering Celia who is doing her own investigating in some of the shadier areas of the city.  I know San Francisco so enjoyed this book for its setting and appreciated its basis around real events of the time, but found the pacing a bit slow.  There is a second title in this series, No Pity for the Dead (2016) which I’ve not read.  (~JWFarrington)

CHALLENGING PLAY

Gloria, by Branden Jacobs-Jenkins is a comic-tragic piece of theater that was a 2016 Pulitzer finalist.  I didn’t love it, but I thought it was very well acted and staged.  It’s about a group of millennials, office colleagues, and their relationships with each other and their feelings toward their much older boss.  The first act is jokey and sarcastic with lots of colorful language until there is violence.  The second act is a whole different mood as these individuals deal with the aftermath of a horrible event.  Seen at the Asolo Repertory Theatre, it runs through April 29th.

Note:  Tayari Jones photo from Wikipedia.  Other photos by JW Farrington.

 

Reading Round-up: Books & More Books

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READING ROUND-UP JAN.-MARCH 2018

 In the first quarter, I read all novels except for one memoir  As it happens, the novels were all written by women with the exception of Wells’ 1909 novel.  And that book is about a modern woman.  To read my review of any of these titles, just key in the title in the search box on this page and you will retrieve the blog that contains the review.  Happy browsing!

NOVELS

Albanese, Laurie Lico.  Stolen Beauty

Anderson, Alison.  The Summer Guest

 Kadish, Rachel.  The Weight of Ink

 Meissner, Susan.  The Shape of Mercy

 Perry, Sarah.  The Essex Serpent

 Rieger, Susan.  The Heirs

 Smith, Dinitia.  The Honeymoon

 Wells, H. G.  Ann Veronica

MEMOIR

Cahalan, Susannah.  My Month of Madness

 ++++++++++++++++++++++++++++

AUTHOR NOTE

I was saddened to learn last week of the death of author Anita Shreve.  Not that long ago, I read and blogged about her most recent novel, The Stars Are Fire.  My journey through her work began with The Pilot’s Wife, the Oprah pick that brought her fame and recognition, and continued from there.  She was always a good storyteller, Maine was often the setting, and she was adept at using an historical event as a jumping off point.

 

HISTORICAL MYSTERY

Sarah Maine (www.bricklanestudiosyork.co.uk)

Beyond the Wild River by Sarah Maine.   

Although born in the U.K., author Maine spent part of her growing up years in Canada.  It’s clear that her own experiences in the wild informed the writing of this novel.  Set in 1888 and 1893, mostly in remote Ontario, it’s as much an adventure story as it is a mystery.  In that day, the Nipigon River attracted men from far and away to fish its waters for trout.  It was a rustic camping and canoeing experience even with guides, requiring stamina and skill.  Charles Ballantyre, a very wealthy man, takes his daughter Evelyn to Chicago to the world’s fair and then they go on a fishing expedition on this river.  Five years earlier, two men were murdered on Ballantyre’s Scottish estate.  The man thought by many to be responsible fled, but no one has been brought to justice.  Evelyn has questions about her father’s role in the deaths as well as wondering about the fate of her friend James Douglas.  In the woods, tensions between guides and traveling companions simmer and eventually erupt.  The pace is slow and while you suspect that “the good guys” will triumph in the end, getting there is a detailed interplay of personalities and poses.

Note:  Header photo at Selby Gardens featuring Warhol in the Garden by JW Farrington.

 

Tidy Tidbits: Lobster, Roe & James

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DINING OUT

Lazy Lobster

We’ve enjoyed food from the Lazy Lobster on Longboat Key several times, so it was a pleasure to dine again in their light-filled airy dining room.  There is outside seating too, but it was already taken on this bright Sunday afternoon.  Service was attentive, but leisurely given the crowd.  We, like others, took advantage of their early dining menu, which offered several salad and entrée choices at very good prices.  We were not disappointed.  The shrimp scampi over linguini was very tasty!  The shrimp were cooked just to doneness atop a generous bed of pasta seasoned with garlic, herbs, oil and diced tomato and onion. Their Caesar salad was also a pleasing rendition with enough garlic to make it sing, but not overblown.  My dining companions sampled and were delighted with the fish and chips, and we all tasted the key lime pie which was nicely tangy.

 OUTSTANDING THEATER

Roe, a drama by Lisa Loomer, and part of Asolo Repertory Theatre’s current season, is one of the most powerful plays I’ve ever seen!  By the end, I was exhausted.  Superbly acted and staged, it shows the history leading up to the 1970’s Supreme Court’s decision on abortion in Roe vs. Wade.  Lawyer Sarah Weddington, who argued the case at the tender age of 26, and single pregnant addicted 21-year old Norma McCorvey, aka Jane Roe, are the central characters.  Act I ends with the historic ruling by the high court.  Act II shows how life plays out for the hapless Norma and her partner Connie and for Weddington up to the present day.   Operation Rescue is on the scene and their message is given air time as Norma changes her views and joins them.  Especially poignant is modern-day student Roxanne, pregnant, who outlines all the delays and obstacles she’s encountering in her quest for a legal abortion.

The real Sarah Weddington (Chambers Associate)

While I certainly knew some of the history behind the ruling, I hadn’t realized or remembered that it all started with a case in Texas.  This is hard-hitting, thought provoking drama and definitely worth seeing.  It runs through April 15.

 

RECENT READING:  CHANNELING HENRY JAMES

Mrs. Osmond by John Banville.  I loved this novel, but I’m not sure everyone would.  Using Henry James’, The Portrait of a Lady, as a jumping off point, Banville presents Isabel Archer Osmond roughly six years after her marriage to Gilbert Osmond.  The marriage is at the breaking point as Isabel has learned of the intimate relationship between Gilbert and Madame Merle and that Serena Merle is his daughter Pansy’s mother.  She also realizes she’s been duped and married for her fortune.  Disillusioned and fed up, Isabel flees Rome, against Gilbert’s wishes, to be at her dying cousin Ralph’s bedside.  When the novel opens, she is in London where she seeks out her old friend Harriet Stackpole, an acerbic journalist.  She also visits Miss Janeway, a suffragette, for her advice on what to do.  Recognizing that she needs to return to Osmond for a showdown of some sort, but first determining what her course of action will be, Isabel nonetheless lingers in London and Paris.  In Paris she runs into Madame Merle at a party and makes her a proposition.  Then she goes on to Florence to see her Aunt Lydia and discovers that Osmond is there too.  The Osmonds’ get-together is a tour de force as a newly self-assured Isabel flexes her figurative muscle and penetrates through Gilbert’s savoir faire.

Like James, Banville writes wonderfully long descriptive sentences about the weather, the interiors the characters inhabit, and the city streets.  John Bayley writing about a different novel by Banville even commented “that the author ‘does not quite coordinate pace with expectation in the reader’s mind; his felicities are apt to hold him up, so that the reader wants to read faster than the author is doing the writing.'”  Nonetheless, the language is marvelously rich, and action is at a minimum.  You could summarize the plot of Mrs. Osmond in about two sentences, yet that would be a shallow statement of Isabel’s growth in self-awareness and her efforts in resolving her dilemma.  Winding and deliberate though Banville’s prose is, there are flashes of wit, and the occasional directness in conversation that is contemporary in a way that the sedate, indirect, ambiguous James wasn’t.   (~JWFarrington)

 

 

 

 

 

 

 

 

 

Note:  Header image from the New York Times and is attributed to 26Eugenides.  Mandala colored by the author.